SARASWATI

SARASWATI
The goddess Saraswati is often depicted as a beautiful woman dressed in pure white often seated on a white lotus, which symbolizes that she is founded in the experience of the Absolute Truth. Thus, she not only has the knowledge but also the experience of the Highest Reality. She is mainly associated with the color white, which signifies the purity of true knowledge. Occasionally, however, she is also associated with the colour yellow, the colour of the flowers of the mustard plant that bloom at the time of her festival in the spring. She is adorned with simple jewels and gold, unlike the goddess Lakshmi; representing her preference of knowledge over worldly material things.

She is generally shown to have four arms, which represent the four aspects of human personality in learning: mind, intellect, alertness, and ego. Alternatively, these four arms also represent the 4 Vedas, the primary sacred books for Hindus.

The four hands also depict this thus — prose is represented by the book in one hand, poetry by the garland of crystal, music by the veena. The pot of sacred water represents purity in all of these three, or their power to purify human thought.

She is shown to hold the following in her hands:

A book, which is the sacred Vedas, representing the universal, divine, eternal, and true knowledge as well as her perfection of the sciences and the scriptures.A mala (rosary) of crystals, representing the power of meditation and spirituality.A pot of sacred water, representing creative and purification powers.The vina, a musical instrument that represents her perfection of all arts and sciences. Saraswati is also associated with anurāga, the love for and rhythm of music which represents all emotions and feelings expressed in speech or music.

The beautiful human form of Saraswati comes to the fore in this English translation of the Saraswati hymn:

“May Goddess Saraswati, who is fair like the jasmine-colored moon, and whose pure white garland is like frosty dew drops, who is adorned in radiant white attire, on whose beautiful arm rests the veena, and whose throne is a white lotus,who is surrounded and respected by the Gods, protect me.May you fully remove my lethargy, sluggishness, and ignorance.”

A hamsa or swan is often located next to her feet. The sacred bird, if offered a mixture of milk and water, is said to be able to drink the milk alone. It thus symbolizes discrimination between the good and the bad or the eternal and the evanescent. Due to her association with the bird, Saraswati is also referred to as Hamsavahini, which means “she who has a hamsa as her vehicle”.

She is usually depicted near a flowing river, which may be related to her early history as a river goddess.

Sometimes a peacock is shown beside the goddess. The peacock represents arrogance and pride over its beauty, and by having a peacock as her mount, the Goddess teaches not to be concerned with external appearance and to be wise regarding the eternal truth.
Mythology :
In the Rigveda, Saraswati is a river as well as its personification as a goddess. In the post-Vedic age, she began to lose her status as a river goddess and became increasingly associated with literature, arts, music, etc. In Hinduism, Saraswati represents intelligence, consciousness, cosmic knowledge, creativity, education, enlightenment, music, the arts, eloquence and power. Hindus worship her not only for “academic knowledge”, but for “divine knowledge” essential to achieve moksha.

In some Puranas (like Skanda Purana) she is daughter of Shiva (Shivaanujaa) and in some Tantras with Ganesha. However across India she is worshipped as the wife of Lord Brahma. In the Devi Mahatyam it mentions her as Brahmapatni. According to some sects Saraswati was born from the left body part of Vishnu when Vishnu was in his eternal sleep.

The original (spiritual) forms of devas including Saraswati are present in the spiritual world:

In the center reside the deities of fire, sun and moon, Kurma-avatara, Ananta Sesha, and Garuda, the master of the three Vedas. The Vedic hymns and all sacred mantras also stay in that holy place, which is made of all the Vedas, and which is known in the Smriti-sastra [Scriptures of Remembrance] as the yoga-pitha [Sanctuary of Union]. (Padma Purana Uttara-khanda 256.23)

Accompanied by Lakshmi and other associates, the chatur-vyuha [Four Expansions] headed by Lord Vasudeva are manifest in the eight directions, beginning with the east. In the directions beginning with the southeast, the palaces of Lakshmi, Saraswati, Rati, and Kanti respectively are situated.[clarification needed]

According to Vedanta she is considered to be the feminine energy and knowledge aspect (Shakti) of Brahma, as one of many aspects of Adi Shakti.