MANTRA MANDALA
OM MANI PADME HUM is the six syllable mantra of the Avalokitesvara, known as a savior and protector from the dangers. It is believed that one who chant this mantra, will be saved from all dangers and the misery in the life. This mantra is widely used in Mahayana Buddhism for different purposes from chanting to using them in arts. The mantras are often found inscribed on rocks, prayer wheels, Chaitya walls, paths, the approaches and exists of the villages.
OM MANI PADME HUM is the six syllable mantra of the Avalokitesvara, known as a savior and protector from the dangers. It is believed that one who chant this mantra, will be saved from all dangers and the misery in the life. This mantra is widely used in Mahayana Buddhism for different purposes from chanting to using them in arts. The mantras are often found inscribed on rocks, prayer wheels, Chaitya walls, paths, the approaches and exists of the villages.
DOUBLE DORJE : About Double Dorje
The double vajra or crossed vajra is formed from four lotus-mounted vajra heads that emanate from a central hub towards the four cardinal directions and symbolizes the principle of absolute stability. In the cosmographic description of Mount Meru a vast crossed vajra supports and underlies the entire physical universe. Similarly in the representation of the mandala, a vast crossed vajra serves as the immoveable support or foundation of the mandala palace and here the central hub of the vajra is considered to be dark blue in color with the four heads colored to represent the four directions-white (East), yellow (South), red (West) and green (North). These also correspond to the five elements and the buddhas of the five families with blue Akshobhya in the center.
The double vajra or crossed vajra is formed from four lotus-mounted vajra heads that emanate from a central hub towards the four cardinal directions and symbolizes the principle of absolute stability. In the cosmographic description of Mount Meru a vast crossed vajra supports and underlies the entire physical universe. Similarly in the representation of the mandala, a vast crossed vajra serves as the immoveable support or foundation of the mandala palace and here the central hub of the vajra is considered to be dark blue in color with the four heads colored to represent the four directions-white (East), yellow (South), red (West) and green (North). These also correspond to the five elements and the buddhas of the five families with blue Akshobhya in the center.
INTRODUCTION TO THANGKA
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.
A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.
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